The Complete EMI Recordings Box Set (7CD+DVD)
¾ç¼º¿øÀÇ EMI ·¹ÄÚµù ÀüÁý

Sung-Won Yang


Availability: Out-Of-Stock

Product Information
Genre:Classical
Release Date:Mar 26, 2013
Publisher:EMI
Product Made In:South Korea
Case:Box Set



Product Details
CD 1

Zoltan Kodaly 1882-1967 Á¹Åº ÄÚ´ÙÀÌ

Sonata for Solo Cello Op.8 ¹«¹ÝÁÖ Ã¿·Î ¼Ò³ªÅ¸ ÀÛÇ°8
1 I. Allegro maestoso ma appassionato_9.17
2 II. Adagio (con grand¡¯ espressione)_12.04
3 III. Allegro molto vivace_11.59

4 Adagio for Cello and Piano_8.01
ÿ·Î¿Í ÇǾƳ븦 À§ÇÑ ¾Æ´ÙÁö¿À

5 Sonatina for Cello and Piano_7.38
ÿ·Î¿Í ÇǾƳ븦 À§ÇÑ ¼Ò³ªÆ¼³×

Sonata for Cello and Piano Op.4 ÿ·Î ¼Ò³ªÅ¸ ÀÛÇ°4
6 I. Fantasia-Adagio di molto_8.26
7 II. Allegro con spirit_9.23

Sung-Won Yang cello ¾ç¼º¿ø ÿ·Î
Ick-Choo Moon piano ¹®ÀÍÁÖ ÇǾƳë


Recorded: 9 & 11-12.II.2000
Recording Location: Rolston Recital Hall, Banff Centre for the Arts, Banff, AB, Canada
Producer: Theresa Leonard
Sound engineer: Rob Rapley
Assistant Engineer: Wayne Deering

Microphones: 2 Bruel & Kjaer 4006, 1 AKG 414 (transformerless), 1 Neumann M49 (tube)
Preamps: Millennia Media HV-3 (2), Studer Onboard preamps (2)
Console: Studer 8x4x2
Analog-to-Digital Converter: Apogee PSX-100 (24-bit)
Master Recorder: Tascam DA-88 using the Apogee Bit-Splitting system (24-bit resolution)
Digital Editing System: Sonic Solutions HD ¡°For this recording, 24-bit technology was used for high definition sound.¡±

Mastered at Seoul Sound Mastering Studio
Mastering Engineer: David Lee
Mastered by SADiE & WEISS 24 Bit 96 kHz high resolution mastering system

Cover Photo: Chan-Sung Park
Design: Chang-Je Woo

(P) & (C) 2000 The copyright in this sound recording is owned by EMI Music Korea Ltd.


CD 2

Sergei Rachmaninov 1873-1943 ¼¼¸£°ÔÀÌ ¶óÈ帶´Ï³ëÇÁ

Sonata for Cello and Piano in G minor Op.19 ÿ·Î ¼Ò³ªÅ¸ G´ÜÁ¶ ÀÛÇ°19
1 ¥°. Lento - Allegro moderato_12.34
2 ¥±. Allegro Scherzando_6.33
3 ¥². Andante_5.24
4 ¥³. Allegro mosso_10.32

Frederic Chopin 1810-1849 ÇÁ·¹µ¥¸¯ ¼îÆØ

Sonata for Cello and Piano in G minor Op.65 ÿ·Î ¼Ò³ªÅ¸ G´ÜÁ¶ ÀÛÇ°65
5 ¥°. Allegro moderato_15.20
6 ¥±. Schezo (Allegro con brio)_4.47
7 ¥². Largo_3.45
8 ¥³. Finale (Allegro)_6.09


CD 3

Sergei Rachmaninov ¼¼¸£°ÔÀÌ ¶óÈ帶´Ï³ëÇÁ

1 Vocalise Op.34 No.14_5.49
º¸Ä®¸®Áî ÀÛÇ° 34ÀÇ 14

Frederic Chopin ÇÁ·¹µ¥¸¯ ¼îÆØ

2 Introduction and Polonaise Op.3_9.26
¼­ÁÖ¿Í Æú·Î³×ÀÌÁî ÀÛÇ° 3


Sung-Won Yang cello ¾ç¼º¿ø ÿ·Î
Ick-Choo Moon piano ¹®ÀÍÁÖ ÇǾƳë


Recorded: V.2001
Recording Location: Rolston Recital Hall, Banff Centre for the Arts, Banff, AB, Canada
Producer: Theresa Leonard & Sung-Won Yang
Sound engineer: Theresa Leonard
Assistant Engineer & Digital Editing: Kyoung-Kuen Chung

Piano Technician: Robert Haist

Cover Photo: Se-Jun Han
Design: Chang-Je Woo

(P) & (C) 2002 The copyright in this sound recording is owned by EMI Music Korea Ltd.


CD 4

Johann Sebastian Bach 1685-1750 ¿äÇÑ ¼¼¹Ù½ºÆ¼¾È ¹ÙÈå

Cello Suite No.1 in G BWV1007 ¹«¹ÝÁÖ Ã¿·Î ¸ðÀ½°î 1¹ø GÀåÁ¶ BWV1007
1 I. Prelude_2.43
2 II. Allemande_4.36
3 III. Courante_2.41
4 IV. Sarabande_2.57
5 V. Menuet I, II_3.30
6 VI. Gigue_1.33

Cello Suite No.3 in C BWV1009 ¹«¹ÝÁÖ Ã¿·Î ¸ðÀ½°î 3¹ø CÀåÁ¶ BWV1009
7 I. Prelude_3.12
8 II. Allemande_3.55
9 III. Courante_3.22
10 IV. Sarabande_4.12
11 V. Bourree_3.46
12 VI. Gigue_3.05

Cello Suite No.5 in C minor BWV1011 ¹«¹ÝÁÖ Ã¿·Î ¸ðÀ½°î 5¹ø C´ÜÁ¶ BWV1011
13 I. Prelude_5.41
14 II. Allemande_5.09
15 III. Courante_2.18
16 IV. Sarabande_3.34
17 V. Gavotte I, II_4.55
18 VI. Gigue_2.41


CD 5

Cello Suite No.2 in D minor BWV1008 ¹«¹ÝÁÖ Ã¿·Î ¸ðÀ½°î 2¹ø D´ÜÁ¶ BWV1008
1 I. Prelude_4.06
2 II. Allemande_4.00
3 III. Courante_2.06
4 IV. Sarabande_5.11
5 V. Menuet I, II_3.17
6 VI. Gigue_2.34

Cello Suite No.4 in E flat BWV1010 ¹«¹ÝÁÖ Ã¿·Î ¸ðÀ½°î 4¹ø BÇ÷§ÀåÁ¶ BWV1010
7 I. Prelude_4.08
8 II. Allemande_4.48
9 III. Courante_3.56
10 IV. Sarabande_4.48
11 V. Bourree I, II_5.28
12 VI. Gigue_2.48

Cello Suite No.6 in D BWV1012 ¹«¹ÝÁÖ Ã¿·Î ¸ðÀ½°î 6¹ø DÀåÁ¶ BWV1012
13 I. Prelude_5.15
14 II. Allemande_8.52
15 III. Courante_4.00
16 IV. Sarabande_5.27
17 V. Gavotte I, II_4.38
18 VI. Gigue_4.35

Sung-Won Yang cello ¾ç¼º¿ø ÿ·Î


Recorded: 24-25.III, 9-10.IV & 2-3.VII.2004
Recording Location: Henry Wood Hall, London SE1, England
Producer: Tony Faulkner, Green Room Productions, London
Sound engineer: Tony Faulkner
Editing engineer: Tony Faulkner & Peter Newble

Microphones: Two Neumann M250c tube microphones (originally bought from RCA New York as used by Lewis Layton)
A/d converters: dCS 904 high-resolution, with linear-phase filters
Recorder: Genex GX-8500
Monitor Loudspeakers: Quad 989 Electrostatics
Editing: SADiE

Photographs of front cover & booklet: Bae Bien-U
Design: Joynil

(P) & (C) 2005 The copyright in this sound recording is owned by EMI Music Korea Ltd.


CD 6

Ludwig Van Beethoven 1770-1827 ·çÆ®ºñÈ÷ ÆÇ º£Å亥

Cello Sonata No.1 in F Op.5 No.1 ÿ·Î ¼Ò³ªÅ¸ 1¹ø FÀåÁ¶ ÀÛÇ° 5ÀÇ 1
1 I. Adagio sostenuto – Allegro_17.03
2 II. Rondo (Allegro vivace)_6.39

Cello Sonata No.2 in G minor Op.5 No.2 ÿ·Î ¼Ò³ªÅ¸ 2¹ø G´ÜÁ¶ ÀÛÇ° 5ÀÇ 2
3 I. Adagio - Allegro molto_18.59
4 II. Rondo (Allegro)_8.39

5 Twelve Variations on ¡°See the conqu'ring hero comes¡± from Judas Maccabaeus WoO.45_11.42
<¸¶Ä«º£¿ì½ºÀÇ À¯´Ù> Áß ¡®º¸¾Æ¶ó ½Â¸®ÀÇ ¿ë»ç ¿À´Â °ÍÀ»¡¯ ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î

6 Twelve Variations on ¡°Ein Madchen oder Weibchen¡± from Die Zauberflote Op.66_9.42
<¸¶¼úÇǸ®> Áß ¡®¿¬ÀÎÀ̳Ä, ¾Æ³»À̳ġ¯ ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î


CD 7

Cello Sonata No.3 in A Op.69 ÿ·Î ¼Ò³ªÅ¸ 3¹ø AÀåÁ¶ ÀÛÇ° 69
1 I. Allegro, ma non tanto_11.55
2 II. Scherzo (Allegro molto)_ 4.49
3 III. Adagio cantabile - Allegro vivace_7.58

4 Seven Variations on ¡°Bei Mannern welche Liebe fuhlen¡± from Die Zauberflote WoO.46_8.37
<¸¶¼úÇǸ®> Áß ¡®»ç¶ûÀ» ´À³¢´Â ³²Àڵ鿡°Ô´Â¡¯ ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î

Cello Sonata No.4 in C Op.102 No.1 ÿ·Î ¼Ò³ªÅ¸ 4¹ø CÀåÁ¶ ÀÛÇ° 102ÀÇ 1
5 I. Andante - Allegro vivace_7.25
6 II. Adagio - Tempo d'Andante - Allegro vivace_7.27

Cello Sonata No.5 in D Op.102 No.2 ÿ·Î ¼Ò³ªÅ¸ 5¹ø DÀåÁ¶ ÀÛÇ° 102ÀÇ 2
7 I. Allegro con brio_6.18
8 II. Adagio_8.04
9 III. Allegro - Allegro fugato_4.18


Sung-Won Yang cello ¾ç¼º¿ø ÿ·Î
Pascal Devoyon piano ÆĽºÄ® µåºÁÀÌ¿ë ÇǾƳë


Recorded: 20-21.III & 13-14.VI.2007
Recording Location: Henry Wood Hall, London SE1, England
Producer: Tony Faulkner
Sound engineer: Tony Faulkner
Editing engineer: Tony Faulkner & Jennifer Howells

Microphones: Neumann M50 tube main microphones (originally owned by RCA Living Presence in the early 1960¡¯s and used by Lewis Layton), also some ribbon microphones by STC and AEA
Main recorder: Genex GX-8500 using a dCS904 A/d converter running at 88.2kHz/24bit
Edited on a SADiE LRX System
Resampled using Tony Faulkner¡¯s own no-jitter minimal-filter conversion
Monitored on Quad ESL989 electrostatic loudspeakers with EAR tube monoblock amplifiers

Piano technician: Dietmar Assimis-Kohls

Photographs of front cover & booklet: Bae Bien-U
Design: Joynil